Though it focuses on Milo (Zlatko Buric), a Yugoslav drug dealer familiar to anyone who has seen Pusher and Pusher II, the series' most recent installment takes place in a different world than the two previous films. Milo may only be a couple of rungs up the narcotics trade ladder from Frank and Tonny, but he lives the life of a respectable businessman, and as a result is light years from the hardscrable universe occupied by those men.

In place of the dingy, tiny apartments occupied by the characters in the previous films, Milo owns a spacious, pristine flat in the suburbs, complete with an enclosed backyard. When he drives through the city, the buildings literally look cleaner and more modern, and the sun a little brighter. Though he, like Frank and Tonny, relies primarily on drugs sales for his income, Milo also owns a small club, a business that seems stable and well-established. In addition, he actually has pocket money -- none of the day-to-day, hour-to-hour desperation experienced by those below him in the food chain for Milo. Instead, he pays cash for major incidental expenses, and can afford to both rent out a restaurant for his beloved daughter Milena's (Marinela Dekic) 25th birthday and hire what appears to be a party-planner for the occasion, as well.

Pusher III: I'm the Angel of Death opens somewhere the series has never ventured before: An NA meeting. Milo is there, reporting with absolute sincerity and commitment that he is on his fifth day -- this time -- without drugs. Though his focus at that moment is on Milena's upcoming party, he sincerely wants to be through with drugs forever -- when the meeting closes with the serenity prayer, followed by a shouted hope to return the following day, Milo's participation is full and heartfelt. Apart from a short interlude extracting smuggled ecstasy from a van just arrived from Holland, he looks for all the world like a normal, upper-class father, concerned about work and pleasing his spoiled daughter.