It's no surprise that writer Patrick Melton and co-writer/director Marcus Dunstan's script for The Collector was once considered for a Saw prequel film. The Feast and Saw collaborators created a raw and brutal assault on the senses with their story about a double home invasion and a masked serial killer who sets a web of traps to collect his victims.
Given its roots, it would be easy to chalk this film up to being just another torture porn fiasco, but The Collector manages to be a movie about torture without actually crossing into 'porn' territory. The film did struggle to find its place as it danced back and forth between realism and splatter film excess, but there are several elements that make the film closer to old school exploitation than pure torture porn. I'm not talking about "exploitation" in the way it has become a catch-all phrase used by lots of people who wouldn't know an exploitation movie if it sat on their face. I'm talking about something gritty, violent, low-budget and unforgiving. This is after all the same film, shot on 16 mm even, in which the director burned his own hand in order to capture the most realistic effect for a take.