What does it take to be called the "Citizen Kane of bad movies"?

A few weeks back, after years of procrastination, I finally saw Tommy Wiseau's now-classic midnight movie 'The Room.' At this point, you have either never heard of it or have seen the film more than 20 times. To bring those in the former category up to speed, in 2002, Wiseau was an aspiring filmmaker whose bank account far exceeded his filmmaking ability. But he was persistent: writing, directing, producing and starring in his debut feature 'The Room.'

Ostensibly a love triangle drama between Johnny (Wiseau), his girlfriend Lisa (Juliette Danielle) and his best friend Mark (Greg Sestero), 'The Room' is a film school study in how not to make a movie. Subplots are brought up and never referred to again. Seemingly important characters are either never introduced or disappear with no explanation. A green screen is used for rooftop shots instead of an actual roof (was it that hard to find a roof?). Shots go in and out of focus haphazardly. The dialogue is hackneyed and oftentimes unintelligible. And the acting? Well ... God bless YouTube.
categories Features, Best and Worst