John F. Seitz was a prominent American cinematographer during the silent and sound eras. Seitz, the younger brother of director George B. Seitz, began his film career as a 16-year-old lab technician; by 1916, he had become a cameraman for feature ... Read Full Biography
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Chicago Deadline
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The Moon and Sixpence
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This Gun for Hire
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Scaramouche
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The Farmer Takes a Wife
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The Divine Lady
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Adorable
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The Crowd Roars
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Five Graves to Cairo
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Ladies They Talk About
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Rogue Cop
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Sergeant Madden
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The Big Clock
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Curly Top
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Fly By Night
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Hail The Conquering Hero
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The Miracle Of Morgans Creek
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Sunset Boulevard
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Guns of the Timberlands
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Island of Lost Women
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The Man in the Net
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The Badlanders
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The Deep Six
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The Big Land
| Year | Award | Category | Movie | Result |
|---|---|---|---|---|
| 1954 | Academy of Motion Picture Arts and Sciences | Best Black and White Cinematography | Rogue Cop | Nominated |
| 1951 | Academy of Motion Picture Arts and Sciences | Best Color Cinematography | When Worlds Collide | Nominated |
| 1950 | Academy of Motion Picture Arts and Sciences | Best Black and White Cinematography | Sunset Boulevard | Nominated |
| 1950 | Hollywood Foreign Press Association | Best Cinematography - Black and White | Sunset Boulevard | Nominated |
| 1945 | Academy of Motion Picture Arts and Sciences | Best Black and White Cinematography | The Lost Weekend | Nominated |
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