Too often dismissed as little more than a genre filmmaker, Samuel Fuller was instead one of the earliest and most uncompromising forces in American independent cinema. Read Full Biography
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Big Red One: The Reconstruction
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Hell and High Water
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Pierrot le fou
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Run of the Arrow
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Merrill's Marauders
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The Big Red One
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House of Bamboo
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Shockproof
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The Last Movie
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Hammett
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Park Row
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Scandal Sheet
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Forty Guns
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Scott Joplin
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The American Friend
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The Steel Helmet
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Pickup On South Street
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Shock Corridor
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Underworld USA
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Naked Kiss
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The End Of Violence
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Somebody To Love
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The Typewriter, the Rifle, and the Movie Camera
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| Year | Award | Category | Movie | Result |
|---|---|---|---|---|
| 1954 | Directors Guild of America | Best Director | Hell and High Water | Nominated |
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