15 Minutes Critic Reviews

Metascore®:

40 =
Based upon 13 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

A cynical, savage satire about violence, the media and depravity. It doesn't have the polish of "Natural Born Killers" or the wit of "Wag the Dog," but it's a real movie, rough edges and all, and not another link from the sausage factory.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The picture is more impressive as it goes along, revealing a symmetry of construction underneath the rudiments of a thriller.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Both audacious and unwieldy, exciting and excessive, this dark thriller is too long, too violent and not always convincing. But at the same time, there's no denying that it's onto something, that its savage indictment of the nexus involving media, crime and a voracious public is a cinematic statement difficult to ignore.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

In a season mostly given over to unwatchable movies being cleared off studio shelves, it's at least about something. And there's no denying the lurid urgency with which it jumps off the screen.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Big, loud and lurid, but no less entertaining for that.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

A thriller more contrived than it is exciting.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

Too busy trying to make remarks to be much fun in the end. But it really only has one remark, which it reiterates about a thousand times, and it's not all that remarkable: Fame is overrated.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Clumsy urban thriller.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Is less an end in itself than an excuse, a jumping off point for showy, contrived, borderline exploitation sequences that fail to tie together because they're not really there to do anything but sell themselves as money shot thrills.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

It's fleet- footed, merciless entertainment. But the mixture of laughs, bathos and brutality is a big turnoff.Read the full review

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