4 Little Girls Critic Reviews

Metascore®:

92 =
Based upon 9 Critic Reviews
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USA Today | Mike ClarkAdd Critic to Favorites

This subject demands consummate screen treatment and now has absolutely gotten it from director/producer Spike Lee. [10 Jul 1997, Pg.02.D]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

There is mostly sadness and regret at the surface in 4 Little Girls, but there is anger in the depths, as there should be.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Director Spike Lee has made some of the most hard-edged and unsettling American films on racism and its effects. Yet none has been as moving as this. [24 Oct 1997, Pg.F2]Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

4 Little Girls brilliantly captures a moment in American history and tells an achingly painful story of injustice and family loss.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

An important act of historical preservation, a focused and effective film that brings back a dark, important moment in history with startling clarity.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Lee takes a conventional, talking-heads-and-archival-clips approach to the material, but rewardingly establishes an intimate connection with his subjects by devoting considerable time to the personalities and families of the four victims.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It is Lee's job as a film maker to imbue these images with life, and that's a task he easily accomplishes.Read the full review

Entertainment Weekly | Staff(not credited)Add Critic to Favorites

Surprisingly, given Lee's penchant for experimentation, there's nothing remotely innovative about this sober, often intensely moving exploration of a community's lingering grief and outrage -- just the usual talking heads, stock footage, montages of stills, and such.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

Mr. Lee, whose lean, straightforward documentary style loses none of his usual clarity and fire (the film has been exceptionally well shot by Ellen Kuras), summons a powerful sense of Birmingham's past and a galvanizing sense of how this bombing would change its future.Read the full review

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