4 Months, 3 Weeks and 2 Days (4 luni, 3 saptamani si 2 zile) Critic Reviews

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Boston Globe | Ty BurrAdd Critic to Favorites

Writer-director Cristian Mungiu confirms the Romanian cinema renaissance while creating a paradoxical marvel: a bleak tale of illegal abortion that powerfully affirms one's faith in people.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

This is a powerful film and a stark visual accomplishment, but no thanks to Gabita (Laura Vasiliu). The driving character is her roommate Otilia (Anamaria Marinca), who does all the heavy lifting.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Nothing good happens in 4 Months, 3 Weeks and 2 Days, the riveting, horrifying chronicle of an illegal abortion performed in 1987 when Ceauescu's dictatorial hand still gripped Romania's throat. And yet no lover of greatness in filmmaking will want to look away from one of the very best movies of 2007.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

This is a film with a commitment to reality unlike any we're used to seeing.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Despite being slow and deliberate, it is often compelling and occasionally riveting. As "The Lives of Others" was in 2007, this is the first memorable movie of 2008.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

You just don't expect Hollywood to produce a masterwork so early in the new year. And it hasn't. This slice of celluloid dynamite comes from Romania, and what you see will floor you.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

First, this movie should be enjoyed. Later, marveled at. And then, once the excitement has faded, 4 Months, 3 Weeks and 2 Days really should be studied, because director Cristian Mungiu creates scenes unlike any ever filmed.Read the full review

Slate | Dana StevensAdd Critic to Favorites

A beautiful and formally compelling work of art.Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

The film is dark, gloomy and without music, but it is also observant and highly suspenseful, with Mungiu using his often static camera to balance banal cruelty with simple generosity.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

It’s a pitiless, violent story that in its telling becomes a haunting and haunted intellectual and aesthetic achievement.Read the full review

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