About a Boy Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
- |
Publications (A-Z)
- |
- Critics (A-Z)
- |
- Favorite Critics
Renders what should have been a wholly entertaining film into a timid, soggy near miss.Read the full review
We have all the action heroes and Method script-chewers we need right now, but the Cary Grant department is understaffed, and Hugh Grant shows here that he is more than a star, he is a resource.Read the full review
Hugh Grant has grown up, holding on to his lightness and witty cynicism but losing the stuttering sherry-club mannerisms that were once his signature. In doing so, he has blossomed into the rare actor who can play a silver-tongued sleaze with a hidden inner decency.Read the full review
Because a gradually thawing Will plays more to Grant's strengths, the second part of the film, helped as well by Rachel Weisz as a love interest, is much more fun. But it is still hard not to feel that this film is pushing us too hard, slickly trying to seem more honest than it actually is.Read the full review
Not a daring film, but it is immensely likable. Every once in a while, a movie comes along that, despite traversing familiar terrain, is made with enough all-around skill that it overcomes its clichéd origins. About a Boy is such a movie.Read the full review
The acid comedy of Grant's performance carries the film. It helps also that newcomer Hoult is that rare child actor who mercifully underplays the pathos of his role.Read the full review
In addition to being a smart comedy and an excellent showcase for Grant, it's an honest movie about childhood that avoids sappiness and sentiment and goes in unexpected directions.Read the full review
It's irresistible, damn it. Mainstream comedies should all be this funny and tender and deftly performed.Read the full review
The Weitz brothers -- notorious as the authors of the "American Pie" series -- handle the sentimentality of the story with a light, sweet touch.Read the full review
Few scenarios are more cliched than the curmudgeonly father-figure who takes in the precocious imp -- irritation in the first two acts, love in the third -- but Hornby infuses it with warmth and honesty, not to mention his obvious gift for wry observation.Read the full review