Adaptation Critic Reviews

Metascore®:

90 =
Based upon 15 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

Like no movie before it, Adaptation risks everything -- its cool, its credibility, its very soul -- to expose the horror of making art for the business of entertainment.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

What a bewilderingly brilliant and entertaining movie this is.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The notion of meta has never been diddled more mega than in this giddy Möbius strip of a movie, a contrivance so whizzy and clever that even when it tangles at the end, murked like swampy southwestern Florida itself, the stumble has quotation marks around it.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

It's typical of the nerve, the bravado, the sheer giddy playfulness and sense of fun that characterize what has to be the boldest and most imaginative studio film of the year.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

An occasionally maddening and sometimes brilliant motion picture that varies between being insightfully sharp and insufferably self-indulgent. Regardless of whether you appreciate the movie or not, it's likely to stay with you.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Screenwriting this smart, inventive, passionate and rip-roaringly funny is a rare species. It's magic.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Snags on the fact that neither story depicted -- not Kaufman's and especially not Orlean's -- is enough to sustain more than an incidental interest.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

I'm not turning cartwheels over Adaptation as energetically as my colleagues. Part of me -- and I'm thinking aloud here, I've likely been infected by Kaufman's comic self-consciousness, and also by his meta-comic impulse to draw attention to that self-consciousness, and probably also by his meta-meta-comic impulse to draw attention to drawing attention to his self-consciousness -- that -- that --Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

I realize that the fear of contracting writer's block from a fictional character is crazy, but in the brilliantly scrambled, self-consuming world of Adaptation it has a certain plausibility.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Kaufman strikes just the right balance between playfulness and sincerity, leaping freely from one absurd situation to another before pulling back on the reins.Read the full review

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