Adaptation Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
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I realize that the fear of contracting writer's block from a fictional character is crazy, but in the brilliantly scrambled, self-consuming world of Adaptation it has a certain plausibility.Read the full review
I'm not turning cartwheels over Adaptation as energetically as my colleagues. Part of me -- and I'm thinking aloud here, I've likely been infected by Kaufman's comic self-consciousness, and also by his meta-comic impulse to draw attention to that self-consciousness, and probably also by his meta-meta-comic impulse to draw attention to drawing attention to his self-consciousness -- that -- that --Read the full review
May not be the first movie to examine the creative process. But it's the most playfully brilliant.Read the full review
An occasionally maddening and sometimes brilliant motion picture that varies between being insightfully sharp and insufferably self-indulgent. Regardless of whether you appreciate the movie or not, it's likely to stay with you.Read the full review
Adaptation, like "Being John Malkovich" before it, is far from a well-made film, even on its own flaky terms. But it's a brave, sometimes brilliant one, with a phantasmagoric ending, full of love and hope, that defeats prose description. Never was an adaptation more original.Read the full review
It's typical of the nerve, the bravado, the sheer giddy playfulness and sense of fun that characterize what has to be the boldest and most imaginative studio film of the year.Read the full review
The notion of meta has never been diddled more mega than in this giddy Möbius strip of a movie, a contrivance so whizzy and clever that even when it tangles at the end, murked like swampy southwestern Florida itself, the stumble has quotation marks around it.Read the full review
Snags on the fact that neither story depicted -- not Kaufman's and especially not Orlean's -- is enough to sustain more than an incidental interest.Read the full review
Even at its best, Adaptation is one of the movie year's most esoteric outings -- more so than even Paul Thomas Anderson's far superior "Punch-drunk Love." Too smart to ignore but a little too smugly superior to like, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot.Read the full review
Screenwriting this smart, inventive, passionate and rip-roaringly funny is a rare species. It's magic.Read the full review