After Hours (1985) Critic Reviews

Metascore®:

86 =
Based upon 5 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

After Hours is a brilliant film that is so original, so particular, that we are uncertain from moment to moment exactly how to respond to it. The style of the film creates, in us, the same feeling that the events in the film create in the hero. Interesting.Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

This unpredictable and hilarious paranoid fantasy is a contemporary, urban "Wizard of Oz," peopled by punk artists and Yuppie vigilantes instead of wicked witches and Munchkins. [5 Sep 1985, p.1]Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

After Hours is a caffeinated black comedy with an emphasis on speed. With a small crew and a tight shooting schedule, Scorsese transformed limited means into a staccato burst of creative energy, playing up the extreme paranoia and frustration of a data processor stranded in Soho.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

The cinema of paranoia and persecution reaches an apogee in After Hours, a nightmarish black comedy from Martin Scorsese. Anxiety-ridden picture would have been pretty funny if it didn't play like a confirmation of everyone's worst fears about contemporary urban life.Read the full review

The New York Times | Vincent CanbyAdd Critic to Favorites

After Hours is not, ultimately, a satisfying film, but it's often vigorously unsettling.Read the full review

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