American Me Critic Reviews

Metascore®:

70 =
Based upon 7 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The movie was mostly shot on two difficult locations: The streets of East L.A., and inside Folsom Prison. It knows these worlds. The language, the clothes, the attitudes, are all shown with the understated conviction of a director who is sure of his material.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Gut-wrenching, brutal, and powerful, American Me is not enjoyable in the conventional sense, but nevertheless stands out as one of the year's most impressive purely dramatic offerings.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

In American Me, Edward James Olmos has achieved several important goals, but one outweighs the rest: he has made a film that will scare the hell out of any inner-city youth not already lost to the hopelessness of gangs, drugs and prison. [9 Mar 1992]Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Olmos is unsparing in depicting the dark side of human behavior. His in-your-face style stresses the urgency of a situation most of us choose to ignore. Though powerful, the film is sometimes preachy; there's a sense that information is being disseminated instead of dramatized. But it's hard to believe anyone will remain unmoved by American Me or its final shattering image of human desolation.Read the full review

Variety | Staff (Not credited)Add Critic to Favorites

The criminal life is portrayed with all the glamour of a mugshot in American Me, a powerful indictment of the cycle of violence bred by the prisons and street culture.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

But Mr. Olmos's direction, from a screenplay by Floyd Mutrux and Desmond Nakano, is dark, slow and solemn, so much so that it diverts energy from the film's fundamental frankness. Violent as it is, American Me is seldom dramatic enough to bring its material to life.Read the full review

Washington Post | Desson HoweAdd Critic to Favorites

This solo project by first-time producer/director Edward James Olmos makes itself out to be hard-hitting, social commentary. But it's too longwinded and cliched to deserve that description. [13 Mar 1992, p. N47]Read the full review

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