America's Sweethearts Critic Reviews

Metascore®:

49 =
Based upon 13 Critic Reviews
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Washington Post | Desson ThomsonAdd Critic to Favorites

Terrifically funny romantic comedy, is a slam-dunk for Julia Roberts, the Michael Jordan of cuteness.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

You keep waiting for it to go into orbit, to be really fizzy and outrageous, like the screwball farce it wants to be. Instead, the film settles for the merely serviceable.Read the full review

USA Today | Susan WloszczynaAdd Critic to Favorites

This movie is a cookie. A slightly stale generic-brand cookie.Read the full review

Wall Street Journal | Ed EpsteinAdd Critic to Favorites

Amusing enough, especially with its uniquely credible premise of a media fraud, to recommend.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

As enjoyable as this film is in parts, it's not nearly as successful as a whole. Enormously engaging in its opening segments, it's unable to sustain that good feeling over the long haul.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

America's Sweethearts recycles "Singin' in the Rain" but lacks the sassy genius of that 1952 musical, which is still the best comedy ever made about Hollywood.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

The movie is a polished muddle, fitfully amusing but with no spine.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

No excuse for the bitterness and crudity in America's Sweethearts -- a noxious combination that erodes the 1930s and '40s screwball-comedy armature on which this mirthless movie is based.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Like a bottle of lukewarm Champagne -- an expensive one, judging by the label -- America's Sweethearts opens with a promising burst of effervescence and quickly goes flat.Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

Begins as a smartly promising, gently farcical comedy of manners and ends as sourly and haphazardly as the lives it is poking fun at.Read the full review

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