An American Werewolf in Paris (1997) Critic Reviews

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Variety | Derek ElleyAdd Critic to Favorites

An enjoyably trashy blend of impressive special effects, low-key refs to Landis's movie, and sudden moments of horror breaking the jokey tone.Read the full review

USA Today | Andy SeilerAdd Critic to Favorites

The computer animation of the monsters here is a herky-jerky cartoon blur that is anything but scary.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Delpy and Scott are able to put it over. She's French and deep and mysterious. He's a fresh-faced American, an open book. Liking them makes it possible to (kinda) like this otherwise routine horror movie.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Delpy's injection of class into an otherwise classless production raises the specter of what this film could have been with a better script and a better cast surrounding her.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

A slapdash, poorly acted, paint-by-numbers teen horror comedy, the sequel is too frenetically edited to build any suspense, and its special effects are strictly bargain basement.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Any plot discipline (necessary so that we care about some characters and not the others) has been lost in an orgy of special effects and general mayhem.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The cruddy, shot-in-a-warehouse settings are especially depressing, since the computer-generated special effects seem to be taking place in another movie entirely (a far livelier one). [9 Jan 1998, p. 47]Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

A painfully anemic variation on John Landis' 1981 winner, "An American Werewolf in London." While the original had both wit and poignancy--and an affectionate and knowing tip-of-the-hat to werewolf movies past--this slapdash, silly new edition is so cut-rate it has Luxembourg and Amsterdam standing in for the City of Light.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

It's all too silly to bother. Without style and attitude, nothing gets old faster than horror.Read the full review

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