Anything but Love Critic Reviews

Metascore®:

54 =
Based upon 9 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Filmed in the colors of newborn Technicolor, plotted as a tribute to the conventions of Hollywood romance, filled with standard songs, it's by and for people who love those kinds of movies. Others will find it cliched and predictable, but they won't understand. Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Robert Cary's Anything but Love is that rarity, an hommage to the sweeping Technicolor Hollywood love story of the '40s and '50s that works.Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

Predictable and corny, but to their credit, Cary and Rose strive to make the situation real. Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The frustration of this good-hearted, off-key warble of an indie, written by Rose with Robert Cary, who directed, is that the filmmaking pales when compared with the classic elements of 1950s and early '60s romantic musicals to which it pays homage.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Like many of us who cherish the safe harbor of old movies, Rose and Cary mourn the fact that they don't make 'em like they used to. If they'd paused to ponder why not, they might have a better movie. Read the full review

The New York Times | Dave KehrAdd Critic to Favorites

A pleasant, good-natured picture that struggles, gallantly if vainly, to recapture the style and sensibility of a studio musical on the severely limited budget of an independent film. Read the full review

San Francisco Chronicle | Steven WinnAdd Critic to Favorites

This stylized romantic comedy offers limited, largely synthetic rewards. Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Earns an A for effort but a much lower grade in the entertainment department. Read the full review

Variety | Ronnie ScheibAdd Critic to Favorites

A low-budget musical so steeped in nostalgia that accusing it of being too old-fashioned is like accusing "Gone With the Wind" of being too Southern, (Standard Time-as this film was once titled) wears its heart, intentions and limitations on its sleeve.Read the full review

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