Assassination Tango Critic Reviews

Metascore®:

57 =
Based upon 14 Critic Reviews
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Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Acting doesn't get more personal, or much greater. Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

A wonderfully eccentric piece of filmmaking -- to demand it cohere to formula would be to miss the point. Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

There isn't any kind of dance you can compare to Robert Duvall's latest as an actor/director, though a slo-mo minuet might come close. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The movie is not quite successful. It is too secretive about its heart.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Like "The Apostle," it exists off the beaten path and will not satisfy mainstream viewers. Yet, for those who do not demand a firm adherence to formulas and genre-driven expectations, this movie offers the chance to see something a little different. Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Since its maker is one of the least vain of Hollywood actors, it's one that is worthy of indulgence and respect. Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

At heart, ridiculous -- ludicrous in its conception and silly in its spectacle. Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

A supremely unhurried filmmaker, Duvall lets the story meander sleepily en route to a conclusion as ho-hum as everything preceding it. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Duvall missteps in trying to mesh suspense with a love story that also involves the woman (Kathy Baker) John J. lives with and her young daughter (Katherine Micheaux Miller), on whom he disturbingly dotes. Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

If Mr. Duvall's finely textured performance is a testament to the power of good screen acting to lift a film above the mundane, the movie's many irritating tics demonstrate that he is much more at home in front of the camera than behind it. Read the full review

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