Asylum (2005) Critic Reviews

Metascore®:

44 =
Based upon 13 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

A classy unintentional hoot.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Mackenzie's film could almost use one or two lurid touches in place of its stately distance. Then again, a more stylized approach might have allowed less room for Richardson, whose unsparing performance makes other elements almost irrelevant.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It's an overwrought Gothic melodrama that has a nice first act before it descends into shameless absurdity.Read the full review

Variety | Eddie CockrellAdd Critic to Favorites

Overly plotted erotic drama.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

McKellen's actions are queerly unpredictable (pun intended), but every plot other twist is portentously foreshadowed.Read the full review

San Francisco Chronicle | Jonathan CurielAdd Critic to Favorites

Mostly meets expectations.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Nothing wrecks the mood of a high-toned British period piece about erotic obsession quicker than an unintentional laugh. In which case, prepare for Asylum to be derailed by snorts in all the wrong places.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

It's too over-the-top, too lurid and at times simply too silly to represent any kind of valid commentary on the repressive '50s or the way in which institutions tend to destroy rather than cure. "Far From Heaven," which nailed '50s angst to perfection, Asylum could not be farther from.Read the full review

Wall Street Journal | Joanne KaufmanAdd Critic to Favorites

Ms. Richardson and Mr. Csokas are sunk mainly by the script (it's the handiwork of "Closer" playwright Patrick Marber and Chrysanthy Balis) and by their complete lack of chemistry. Still, their performances do them no credit.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

A psychological thriller without bothering much with psychology. Come to think of it, the thrills are pretty much missing, as well.Read the full review

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