Australia (2008) Critic Reviews

Metascore®:

60 =
Based upon 15 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

Luhrmann is working a tricky game: He's trying to come to terms with modern Australia's racist legacy while telling a ripping yarn while also making fun of ripping yarns - but not too much.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It is exuberantly old-fashioned, and I mean that as a compliment.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Long before the second hour of Australia (which feels like the fifth), it's clear that Luhrmann hasn't found a satisfactory way to make a movie nearly as ballsy -- or coherent -- as he wants his creation to be.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

If you are willing to take the plunge and view things through Luhrmann's prism, "Australia" does deliver the classic dramatic and romantic satisfactions its ambitious advertising campaign promises.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It's an epic pretender, not an epic contender.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

If looks were everything, director Baz Luhrmann's epic salute to his native land would be the movie of the year. But, crikey, a padded script bloated with subplots and shameless sentimentality can wear you down.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Australia shows all the signs of having been a labor of love for director Baz Luhrmann. One problem: It's his love, and the audience's labor.Read the full review

Slate | Dana StevensAdd Critic to Favorites

To marvel at the purity of Australia's corniness isn't to imply that the movie functions as so-bad-it's-good camp, or guilty pleasure, or anything else involving aesthetic enjoyment.Read the full review

The Hollywood Reporter | Megan LehmannAdd Critic to Favorites

Defies all but the most cynical not to get carried away by the force of its grandiose imagery and storytelling.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

A testament to movie love at its most devout, cinematic spectacle at its most extreme, and kitsch as an act of aesthetic communion.Read the full review

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