Awakenings Critic Reviews

Metascore®:

79 =
Based upon 10 Critic Reviews
See all Awakenings reviews at
Sorted by:
Chicago Sun-Times | Roger EbertAdd Critic to Favorites

After seeing Awakenings, I read it, to know more about what happened in that Bronx hospital. What both the movie and the book convey is the immense courage of the patients and the profound experience of their doctors, as in a small way they reexperienced what it means to be born, to open your eyes and discover to your astonishment that "you" are alive.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Marshall masterfully plays our strings without becoming either melodramatic or maudlin. Like Brian De Palma's "Bonfire of the Vanities," hers is an adaptation that ends with a wake-up call, only here it's done successfully and in context.Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

The director Penny Marshall has gone straight to the heart of this complex story and made a powerfully poignant and illuminating film. She doesn't hesitate to push for the grand sentimental moment, but balances the teary stuff with restraint and humor. To be sure, Awakenings seems calculated to induce weeping -- and it does, without making the weeper feel cheap. [20 Dec 1990, p.A14]Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

Director Penny Marshall's choreography encompasses emotional as well as physical ebbs and flows. Awakenings lives up to its title. [11 Jan 1991]Read the full review

San Francisco Chronicle | Judy StoneAdd Critic to Favorites

Awakenings is a troubling film, but it's also a courageous one that dares to tackle a difficult subject with sensitivity and honesty. [20 Dec 1990, p.E1]Read the full review

Los Angeles Times | Peter RainerAdd Critic to Favorites

As well-meaning and "sensitive" as Awakenings is, it never rises much above the level of a grade-A tear-jerker. It achieves most of its effects by tenderizing raw material into something marshmallowy. [20 Dec 1990, p.1]Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

And so even if you're held (as I was) by the acting, you may find yourself fighting the film's design. It reflects a certain lack of faith in your audience to take a performance as authentic as De Niro's and reduce it to the level of a glorified reach-out-and-touch-someone commercial.Read the full review

Washington Post | Desson HoweAdd Critic to Favorites

Knee-jerk tears aside, there's nothing tremendously special. It's very watchable, but it doesn't stand out. Which is not to say the film is badly done; it's just decently done.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

Awakenings both sentimentalizes its story and oversimplifies it beyond recognition. At no point does the film express more than one idea at a time. And the idea expressed, more often than not, is as banal as the reality was bizarre.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

De Niro's widely praised performance is like the rest of the film: competent, a product of hard work and borderline mechanical. I like much of Awakenings, including several supporting performances - but like Big, it left me just a little cold. [20 Dec 1990, p.5D]Read the full review

Track Your Favorite Critics | Start Now