Away We Go Critic Reviews

Metascore®:

61 =
Based upon 14 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Burt and Verona are two characters rarely seen in the movies: thirtysomething, educated, healthy, self-employed, gentle, thoughtful, whimsical, not neurotic and really truly in love.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

A movie with memorable and engaging performances.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Rudolph, a comic force on "SNL," can speak volumes with the tilt of an eyebrow. She and Krasinski, of "The Office," are absolutely extraordinary. Ditto the film, which sneaks up and floors you.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Though Away We Go lacks the screwball unpredictability of something like "Flirting With Disaster," it compensates with a unexpected depth of feeling, a novelist’s (or memoirist’s) sense of detail, and a panoramic view of what home means.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Away We Go is not as dramatically wrenching as "Revolutionary Road," but it's unquestionably more enjoyable.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

A gilded entry in the cinema du quirk. It's a movie that invites you, all too often, to feel superior to the people on screen.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

In tone and plotting, Away We Go feels like a fairy tale built on an aggravating collection of attitudes. It's condescending, judgmental, righteous, yet sincerely searching.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

A self-satisfied film about insecure people, a quirky and episodic comic drama that squanders its genuine assets and ends up not as special as it tries to be.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

One can almost feel the movie Away We Go might have been, if only we could believe that Verona loves Burt - or understand why Burt loves Verona.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

Though it's nice to see Mendes take a looser, not quite so studied approach to his filmmaking, some stops along the way -- like a detour to visit Burt's suddenly single brother (Paul Schneider) -- feel dramatically off-course.Read the full review

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