Away We Go Critic Reviews
Metascore®:
Based upon 14 Critic ReviewsHighest Rated
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Burt and Verona are two characters rarely seen in the movies: thirtysomething, educated, healthy, self-employed, gentle, thoughtful, whimsical, not neurotic and really truly in love.Read the full review
A movie with memorable and engaging performances.Read the full review
Rudolph, a comic force on "SNL," can speak volumes with the tilt of an eyebrow. She and Krasinski, of "The Office," are absolutely extraordinary. Ditto the film, which sneaks up and floors you.Read the full review
Though Away We Go lacks the screwball unpredictability of something like "Flirting With Disaster," it compensates with a unexpected depth of feeling, a novelist’s (or memoirist’s) sense of detail, and a panoramic view of what home means.Read the full review
Away We Go is not as dramatically wrenching as "Revolutionary Road," but it's unquestionably more enjoyable.Read the full review
A gilded entry in the cinema du quirk. It's a movie that invites you, all too often, to feel superior to the people on screen.Read the full review
In tone and plotting, Away We Go feels like a fairy tale built on an aggravating collection of attitudes. It's condescending, judgmental, righteous, yet sincerely searching.Read the full review
A self-satisfied film about insecure people, a quirky and episodic comic drama that squanders its genuine assets and ends up not as special as it tries to be.Read the full review
One can almost feel the movie Away We Go might have been, if only we could believe that Verona loves Burt - or understand why Burt loves Verona.Read the full review
Though it's nice to see Mendes take a looser, not quite so studied approach to his filmmaking, some stops along the way -- like a detour to visit Burt's suddenly single brother (Paul Schneider) -- feel dramatically off-course.Read the full review