Bad Lieutenant Critic Reviews

Metascore®:

71 =
Based upon 9 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It is not a "dirty movie," and in fact takes spirituality and morality more seriously than most films do. And in the bad lieutenant, Keitel has given us one of the great screen performances in recent years.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Not only more crazy than “Reservoir Dogs,'' but it also feels more real. [1 Jan 1993, Daily Notebook, p.D1]Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Abel Ferrara's uncompromising Bad Lieutenant is a harrowing journey observing a corrupt NY cop sink into the depths, with an extraordinary and uninhibited performance by Harvey Keitel in the title role.Read the full review

Washington Post | Hal HinsonAdd Critic to Favorites

Ferrara is clearly drawing an equation between the criminals' actions and The Lieutenant's, and as trite (and potentially shameless) as this may sound, it actually works.Read the full review

Los Angeles Times | Peter RainerAdd Critic to Favorites

It's a film enthralled by its own lower depths… Although Bad Lieutenant is structured as a redemptive thriller, it functions primarily as a freak show with religioso overtones. [30 Dec 1992, Calendar, p.F-7]Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

Mr. Ferrara has his saving graces, too, the chief one being raw talent, which he continues to display while telling even the most far-fetched story.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

It's the first film to include both a cameo appearance by Jesus and a full-frontal nude shot of Harvey Keitel dancing in a drugged stupor. [20 Nov 1992, Life, p.4D]Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

As good as the lead actor is, he's not enough to save this picture from landing on the scrap-heap of uninspired, derivative, and grotesquely distasteful character studies. Ferrara is definitely no Martin Scorsese.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Despite a glut of luridness, the story line feels essentially flat, as Keitel stumbles through New York in an immoral, unchanging haze. It is only the strength of Keitel's performance that gives his personality human dimension.Read the full review

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