Baghead Critic Reviews

Metascore®:

62 =
Based upon 11 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

Baghead provides a diverting showcase for actors you may never have heard of but who deserve a shot at fame and fortune.Read the full review

Slate | Dana StevensAdd Critic to Favorites

They've made a movie about trickery that neatly tricks its viewers into laughing, then screaming, then laughing again.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The acting is a big part of Baghead's problem. Three of the four protagonists are played by performers who do little to distinguish themselves.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

A very short and cheerfully scruffy comedy-thriller.Read the full review

Los Angeles Times | Michael OrdonaAdd Critic to Favorites

The filmmakers maintain a delicate balance that generates tension on multiple levels, including sexual. They giddily mix genres, but Baghead, part meta-cinematic comedy, part relationship drama and part horror movie, remains rooted in reality.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

An amusing bauble.Read the full review

Variety | Peter DebrugeAdd Critic to Favorites

Though its scares are scarce, Baghead provides what nine out of 10 dead-teenagers movies lack: specifically, a realistic sense of character that gives moviegoers a reason to identify with the would-be victims.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

If you walk out after 10 or 15 minutes, you will have seen the best parts of the film.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Much of the fun of Baghead is that it's unclassifiable, by turns a movie-movie lark, an Eric Rohmer-like relationship comedy, and a surprisingly effective "Friday The 13th" kids-in-the-woods slasher film.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

The semi-improvised performances, which seem so natural that it is tempting to confuse the actors with their characters, bring Baghead into the realm of group therapy observed through one-way glass.Read the full review

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