Basic Instinct Critic Reviews

Metascore®:

52 =
Based upon 10 Critic Reviews
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Variety | Staff (Not Credited)Add Critic to Favorites

Grade-A pulp fiction. This erotically charged thriller about the search for an ice-pick murderer in San Francisco rivets attention through its sleek style, attractive cast doing and thinking kinky things, and story, which is as weirdly implausible as it is intensely visceral.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The film is for horny pups of all ages who relish the memory of reading stroke books under the covers with a flashlight. Verhoeven has spent $49 million to reproduce that dirty little thrill on the big screen.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Beneath its heavy-breathing fripperies, though, Basic Instinct is mechanical and routine, a muddle of Hitchcockian red herrings and standard cop-thriller ballistics.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

The film never makes total sense, but at its best (the first half-hour), it comes closer to solidly junky titillation than the hapless Final Analysis. [20 Mar 1992, Life, p.1D]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The film is like a crossword puzzle. It keeps your interest until you solve it. Then it's just a worthless scrap with the spaces filled in.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Uninvolving. Even the sex is boring. Are these scenes supposed to be wildly erotic? If they are, they don't work. [20 Mar 1992, Daily Notebook, p.D1]Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

A reminder of the difference between exhilaration and exhaustion, between tension and hysteria, between eroticism and exhibitionism. The line may be fine, but it is real enough to separate the great thrillers from the also-rans. And Basic Instinct is not a great thriller. [20 Mar 1992, Calendar, p.F-1]Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

What isn't so fascinating is this movie's absurdity of motivation. No one does anything that makes sense. No one seems real. When the actual perpetrator is uncovered, there is no enlightenment as to why the killing occurred.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

The $3 million reportedly paid for Mr. Eszterhas's screenplay did not buy a coherent ending.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

What we have here is a movie with not just one, but a family pack of psychos.Read the full review

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