Becoming Jane Critic Reviews
Metascore®:
Based upon 12 Critic ReviewsHighest Rated
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If one were to fuse the literary sensibility of Jane Austen with the fanciful imaginative license of "Shakespeare in Love," what would emerge would likely be the charming tale Becoming Jane.Read the full review
An ersatz "Pride and Prejudice" in all but name, Becoming Jane is a finely tooled Brit-lit costumer that, like Anne Hathaway's flawless accent as the young Austen, lacks only that final convincing 5%.Read the full review
Anne Hathaway's Jane is headstrong and clever, balanced and true.Read the full review
The way all of this plays out is acted warmly by the principals, and Eigil Bryld's photography (of Ireland) makes England look breathtakingly green and inviting. The director, Julian Jarrold ("Kinky Boots" and the TV version of "White Teeth") is comfortable with the material, and it is comfortable with him.Read the full review
Becoming Jane has a burnished feminine sadness, and the director, Julian Jarrold, gives it a creamy-dark visual flow.Read the full review
There are enough similarities between the movie and "Pride and Prejudice" that one could be forgiven thinking this screenplay is Austen lite.Read the full review
Its weaknesses are clumsy plotting and a less-than-satisfying ending.Read the full review
The film tries to squeeze Austen into one of her novels, and the peg doesn't fit.Read the full review
Austen comes off here more as stenographer than writer. Worse, the movie has Tom Lefroy as her condescending guide.Read the full review
The screenplay’s pseudo-Austen tone is so consistent that its lapses into modern romance-novel fantasy threaten to derail the film.Read the full review