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reviews

64
Based on 10 Reviews
critic reviews (10)
fan reviews ( 0 )
  • 75
    Miami Herald

    Beverly Hills Cop is an old-fashioned movie; it's a star vehicle. And the star makes it worth the price of admission. [5 Dec. 1984, p.B1] show more

  • 75
    Jay Scott The Globe and Mail (Toronto)

    In Hollywood terms, Beverly Hills Cop harks back to the semi- good old days, to the studio era when stars were not always relied on to fix everything - this is unquestionably a star vehicle, but the star, an employee of his own production company, has been smart enough to surround himself with other, by no means lesser lights. [4 Dec. 1984] show more

  • 63
    Roger Ebert Chicago Sun-Times

    Eddie Murphy looks like the latest victim of the Star Magic Syndrome, in which it is assumed that a movie will be a hit simply because it stars an enormously talented person. Thus it is not necessary to give much thought to what he does or says, or to the story he finds himself occupying. show more

  • 80
    Janet Maslin The New York Times

    Beverly Hills Cop finds Eddie Murphy doing what he does best: playing the shrewdest, hippest, fastest-talking underdog in a rich man's world. show more

  • 80
    Richard Schickel Time

    Murphy exudes the kind of cheeky, cocky charm that has been missing from the screen since Cagney was a pup, snarling his way out of the ghetto. But as befits a manchild of the soft-spoken '80s, there is an insinuating sweetness about the heart that is always visible on the sleeve of Murphy's habitual sweatshirt. show more

  • 70
    David Ansen Newsweek

    Beverly Hills Cop is no masterpiece, but it uses Murphy to maximum effect. At its best, the movie is exactly as brazen, charming and mercurial as Murphy himself, which is to say it is unimaginable without him. [3 Dec. 1984, p.81] show more

  • 50
    Variety

    Beverly Hills Cop is more cop show than comedy riot. Expectations that Eddie Murphy's street brand of rebelliousness would devastate staid and glittery Beverly Hills are not entirely met in a film that grows increasingly dramatic. show more

  • 30
    Pauline Kael The New Yorker

    The whole picture is edited and scored as if it were a lollapalooza of laughs. And, with Murphy busting his sides guffawing in self-congratulation, and the camera jammed into his tonsils, damned if the audience doesn't whoop and carry on as if yes, this is a wow of a comedy. [24 Dec. 1984, p.78] show more

  • 70
    Washington Post

    The result is a movie that can be wonderfully languid and wonderfully breakneck as well, a formula movie so gleefully bedizened with quirks that it always seems better than it is. [5 Dec. 1984, p.C1] show more

  • 83
    David Sterritt Christian Science Monitor

    Beverly Hills Cop is an action movie and an Eddie Murphy vehicle first, but Brest's dramatic intelligence surfaces often enough to make a welcome difference in what could have been an ordinary crowd-pleaser. [13 Dec. 1984, p.35] show more

similar movies

  • Beverly Hills Cop III (1994)

  • Running Scared (1986)

  • Rush Hour (1998)

  • 48 HRS. (1982)

  • Big Trouble in Little China (1986)

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