Bewitched (2005) Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
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Bewitched presents a phony and cynical look at how Hollywood might make or remake a television show. It's as grating, laughless, and narcissistic (though, to its credit, not as cruel) as that new Lisa Kudrow show-within-a-show-within-a-show, "The Comeback."Read the full review
It's one of those movies where you smile and laugh and are reasonably entertained, but you get no sense of a mighty enterprise sweeping you along with its comedic force. There is not a movie here. Just scenes in search of one.Read the full review
The Ephron sisters, sophisticates entrusted with a simple TV situation comedy, lose the magic of the com as they mess with the sit.Read the full review
Isn't a remake, really. It's a "reimagining," which is a sparkly word for what happens to a beloved TV hit of yesteryear when it's cannibalized by committee.Read the full review
The motion picture version of Bewitched is a travesty of monumental proportions that belongs in the "What the hell were they thinking?" category.Read the full review
It's funny, easily the funniest and least self-conscious movie that director Nora Ephron has made.Read the full review
Using R.E.M.'s impassioned "Everybody Hurts"--written by Michael Stipe after the suicide of Kurt Cobain--to underscore shots of Kidman and Ferrell feeling blue about their inability to pair off is an aesthetic crime. The Ephrons should be fined and forced to do a few hundred hours of community service.Read the full review
Despite the labors of leads Nicole Kidman and Will Ferrell, there's no screen magic being made here.Read the full review
The film's screenwriters conjured up a very clever gimmick when they decided to revamp a favorite 60's television show. Too bad they forgot that a gimmick is no substitute for a screenplay, never mind a real movie.Read the full review
Bewitched piles miscalculation upon miscalculation, beginning by casting the iron-willed Kidman, one of film's gutsiest and most fearless actresses, as a regressive pre-feminist dumb-blonde doormat, a sort of mildly retarded amalgam of Marilyn Monroe, Renée Zellweger, and Meg Ryan.Read the full review