Blood Work Critic Reviews

Metascore®:

65 =
Based upon 14 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The strength of the picture, directed by Eastwood, is that it has three intersecting story arcs: The investigation, the health issues, and the relationship that builds, step by step.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

Eastwood's instinct for creating efficient, adult, mainstream entertainment is virtually unerring. He's still a class act, not to mention craggy, suave, laconic and very, very cool.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Eastwood risks embarrassment flirting with material this naked in its mawkishness, then jumps right in. He seems to want the world to know: Inside the 72-year-old body of this icon of virility beats the heart of a Mexican woman.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Eastwood is now playing a man whose will is stronger than his body, and it's that tension -- between anger and frailty, steel and decay -- that powers the movie.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

A wry exercise in geriatric uplift.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

There's a certain pleasure in seeing a thriller that's almost a relic of a bygone era. There's nothing flashy about Blood Work, no in-your-face nihilism, no hot young actors you'd know from the WB network if you ever watched it.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

The 72-year-old star, who is centerscreen throughout, makes this rather far-fetched yarn go down much more easily than it otherwise might have.Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

It's always nice to see Clint, and especially nice to see him play someone whose humanity -- no, whose mortality -- is all too apparent.Read the full review

Wall Street Journal | Nancy deWolf SmithAdd Critic to Favorites

In the end, though, it's all about seeing Clint Eastwood; it always was about Clint and always will be. To his fans, he's cool in every role (except, possibly, for that movie with the monkey). He can't help it. We can't help watching.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Has the three elements we've come to expect from Eastwood: the steady pace, the shadowy cinematography and, of course, the presence of the Big Guy.Read the full review

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