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Ms. Breillat narrates the fairy tale three ways: in the period story, through the little girls and, finally, through the overall film. None are fully satisfying, but together they offer a sharp, knowing gloss on how our stories define who we were and who we become.Full Review
As with Breillat’s 2007 period piece "The Last Mistress," Bluebeard is subdued and unadorned, almost plain.Full Review
Psychologically rich, unobtrusively minimalist, at once admirably straightforward and slyly comic, Catherine Breillat's Bluebeard is a lucid retelling and simultaneous explanation of Charles Perrault's nastiest, most un-Disneyfiable nursery story.Full Review
Bluebeard revisits themes often found in Breillat's films -- sibling rivalry, pedophilia, gender conflict -- but it remains fresh and new.Full Review
This offbeat but compelling take on the tale, arguably the first serial-killer yarn, emphasizes sisterly bonds but still gets to the original story's heart of mysterious darkness with impressive results.Full Review
