Boogie Nights Critic Reviews

Metascore®:

90 =
Based upon 10 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Has the quality of many great films, in that it always seems alive.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

While it's very funny, Boogie Nights taps into something much deeper with its on-target depiction of the shifting political and social tides of the '70s and '80s and thoughtful relationships between characters. It's a deeply satisfying movie.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

With Boogie Nights, we know we're not just watching episodes from disparate lives but a panorama of recent social history, rendered in bold, exuberant colors.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Mark Wahlberg, in a star-making performance, has the kind of electric ingenuousness that John Travolta did in "Saturday Night Fever."Read the full review

USA Today | Staff [Not Credited]Add Critic to Favorites

With its ceaseless music, large canvas, shrewd casting and flawless ensemble acting and the dexterity of its whiplashing mood switches, the movie recalls Robert Altman's "Nashville" more than any subsequent movie has.Read the full review

Variety | Emanuel LevyAdd Critic to Favorites

Darkly comic, vastly entertaining and utterly original.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Isn't just an expose of the porn industry -- it's a provocative and involving character study, as well.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

The movie's special gift happens to be Mark Wahlberg, who gives a terrifically appealing performance in this tricky role.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

A true storyteller, able to easily mix and match moods in a playful and audacious manner, he (Anderson) is a filmmaker definitely worth watching, both now and in the future.Read the full review

Slate | Sarah KerrAdd Critic to Favorites

These late scenes are over the top, as mean and reductive as editorials in a tabloid, and they nearly extinguish the moral subtlety of what's gone before.Read the full review

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