Boyz 'N The Hood Critic Reviews

Metascore®:

82 =
Based upon 9 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Has maturity and emotional depth: There are no cheap shots, nothing is thrown in for effect, realism is placed ahead of easy dramatic payoffs, and the audience grows deeply involved.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Flows in a way that seems effortless, following its own path, arriving at its own place. Only after the movie is over are the outlines of its story apparent. I found it impossible to outguess it. [12 July 1991]Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

The film's strength is that it sustains an intimate and realistic tone. Mr. Fishburne, who is called upon to deliver several lectures, manages to do so with enormous dignity and grace, and makes Furious a compelling role model, someone on whom the whole film easily pivots.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

In a watershed year for black filmmakers, Singleton has made the punchiest feature debut in recent memory. Those who complain that Lee's characters tangle up his plots will savor Singleton's flawlessly crafted edges. [12 July 1991]Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Ultra socially responsible, sometimes to the point of playing like a laundry list of difficulties faced specifically by the urban black community.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

With its energetic cast and insistent street score, it still manages to be poignant without becoming bathetic, and violent without being exploitative.Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

Mr. Singleton is a very good storyteller, but every once in a while he stops his story cold with speeches. You can feel the audience lost interest, as though a commercial has suddenly popped on screen. [18 July 1991, p.A9(E)]Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Yes, the denouement is disturbing, but it is rather too calculatedly so, and too insistently underlined by an overly sentimental Stanley Clarke score. [12 July 1991]Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

It will often tear at the heart too -- at least, when it doesn't feel like the rap equivalent of a classroom lecture.Read the full review

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