Breach Critic Reviews

Metascore®:

77 =
Based upon 13 Critic Reviews
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Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Filled with tension, deception and bravura acting, Breach is a crackling tale of real-life espionage that doubles as a compelling psychological drama.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

The acting is superb, particularly from the three principals.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

A compelling and eerily effective little drama.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

In this steadily gripping hothouse of a thriller, it's Cooper -- funny, fierce and bug-wild -- who gives us a look into the abyss.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

In this film, everything comes down to the acting. Chris Cooper, one of our finest screen actors, gets inside the mysterious traitor. Ryan Phillippe has just the right gung-ho determination tempered with a touch of naivete as O'Neill. Meanwhile, Laura Linney nails the role of a career agent.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

One of the strengths of Breach, a thriller that manages to excite and unnerve despite our knowing the ending, is how well it captures the utter banality of this man and his world.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

The movie is serious, intelligent, intentionally claustrophobic and awfully somber -- you remember it in black and white, though it was shot (by the masterful Tak Fujimoto) in color. But you'll remember Mr. Cooper's performance for exactly what it is, an uncompromising study in the gradual decay of a soul.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Less ambitious and more narrowly focused than the CIA saga "The Good Shepherd," Breach is a compelling, intelligent drama.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

The main problem with Breach is that the story is told through O'Neill, who's far less compelling, in part because Phillippe doesn't have the chops to draw out his own set of contradictions. By committing himself to O'Neill's perspective, Ray misses the opportunity to uncover more information about Hanssen's relationship with his wife and church, his aberrant sexuality, and his mysterious connection to the Russians.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Now Ray has directed his second film, the abysmally titled Breach, and it's a bona fide companion piece, another true-life tale of duplicity gone secretly insane.Read the full review

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