Brokeback Mountain Critic Reviews

Metascore®:

90 =
Based upon 15 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

Brokeback may be too polished for some people, too elegantly dispassionate in its study of choked passion.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Brokeback Mountain has been described as "a gay cowboy movie," which is a cruel simplification. It is the story of a time and place where two men are forced to deny the only great passion either one will ever feel. Their tragedy is universal.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Brokeback Mountain is that rare thing, a big Hollywood weeper with a beautiful ache at its center. It's a modern-age Western that turns into a quietly revolutionary love story.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Confidently directed by Ang Lee and featuring sensitive and powerful performances by Jake Gyllenhaal and a breathtaking Heath Ledger, this film is determined to involve us in the naturalness and even inevitability of its epic, complicated love story.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Isn't for everyone, but for those who are not bothered by the homosexual relationship, it offers a study in yearning, love, and loss. It didn't affect me as deeply as either "The Bridges of Madison County" or "The Remains of the Day," but it evokes some of the same feelings.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Ang Lee's unmissable and unforgettable Brokeback Mountain hits you like a shot in the heart. It's a landmark film and a triumph for Heath Ledger and Jake Gyllenhaal.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Carries a lot of emotional power.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Brokeback Mountain could use a little more of it--by which I mean more sweat and other bodily fluids. Ang Lee's formalism is so extreme that it's often laughable, and the sex is depicted as a holy union: Gay love has never been so sacred.Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

Anne Proulx's 1997 short story in the New Yorker has been masterfully expanded by screenwriters Larry McMurtry and Diana Ossana to provide director Lee with his best movie since "Sense and Sensibility" in 1995.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Mr. Ledger magically and mysteriously disappears beneath the skin of his lean, sinewy character. It is a great screen performance, as good as the best of Marlon Brando and Sean Penn.Read the full review

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