Cadillac Records Critic Reviews

Metascore®:

67 =
Based upon 14 Critic Reviews
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The New York Times | A.O. ScottAdd Critic to Favorites

This movie is crowded and sprawling, and if it rambles sometimes, that's just fine. Like those big, boxy Caddies (and like Howlin’ Wolf, if he did say so himself), it's built for comfort, not for speed. It hums, it purrs and it roars.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

It's an enjoyable ramble, with a feel for what made the early days of rock as wild as any that followed.Read the full review

Slate | Dana StevensAdd Critic to Favorites

One of the strengths of Cadillac Records, written and directed by Darnell Martin, is that it's a movie about music by someone who genuinely seems to enjoy listening to music.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

In watching this film, it's best not to worry much about the film's fidelity to history but rather simply lean back and enjoy one great jam session on film.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Cadillac Records is an account of the Chess story that depends more on music than history, which is perhaps as it should be. The film is a fascinating record of the evolution of a black musical style, and the tangled motives of the white men who had an instinct for it.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

A satisfying combination of great songs and strong dramatic performances.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Cadillac Records may be a mess dramatically, but it's a wonderful mess, and not just because of the great music. The people who made it must have harbored the notion, almost subversive in a season of so many depressing films, that going out to the movies should be fun.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

It's a hell of a story, and Cadillac Records wants to tell it so badly that it threatens to warp the narrative out of recognition.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

The film features too little about Berry (an engaging Mos Def), who crosses over to great fame.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

There are plenty of small pleasures to be found throughout Darnell Martin's feature, but a compelling storyline featuring three-dimensional characters is not among them.Read the full review

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