Carandiru Critic Reviews

Metascore®:

73 =
Based upon 12 Critic Reviews
See all Carandiru reviews at
Sorted by:
Los Angeles Times | Kevin CrustAdd Critic to Favorites

Carandiru is Babenco's fourth film set inside some type of incarceration facility and meshes his documentary style and fondness for realism with the escapism of storytelling found in "Kiss of the Spider Woman." It plunges us deep inside a corrupt system and its sincere empathy creates a stirring mix of emotions. Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Exudes a throbbing flesh-and-blood intensity so compelling that it's impossible to avert your eyes. Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

The movie is powerful, if numbing. What movie about a massacre isn't? Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

It is Carandiru's ability to humanize its central characters ... that gives the movie its wrenching, tragic powerRead the full review

USA Today | Mike ClarkAdd Critic to Favorites

The warden implores the prisoners to relinquish their weapons, and out of the cells come flying a zillion blades of all sizes. In a Mel Brooks movie, this bit would be funny. Here, it sums up the chilling situation in five seconds. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

In a prison filled with vivid, Dickensian characters, several stand out. There is, for example, the unlikely couple of Lady Di (Rodrigo Santoro), tall and muscular, and No Way (Gero Camilo), a stunted little man. They are the great loves of each other's lives. Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Harrowing but compassionate. Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Angry and tragic, Carandiru is finally, in its own way, uplifting.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Lays on the compassion a little thick, yet its heartfelt squalor stays with you.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The movie observes and dramatizes, yet seeks no overriding social moral. Read the full review

Track Your Favorite Critics | Start Now