Cassandra's Dream Critic Reviews

Metascore®:

55 =
Based upon 14 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

The movie is actually a softer treatment of the similar sibling anguish in Sidney Lumet's "Before the Devil Knows You're Dead." Allen isn't enough of a great dark artist to pull off a full-scale tragedy the way Lumet does.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The identical premise is used in Sidney Lumet's "Before the Devil Knows You're Dead," which is like a master class in how Allen goes wrong.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Allen's latest, Cassandra's Dream, is one of his debonair ''small'' entertainments, the closest that he has come to doing a tidy, no-frills, down-and-dirty genre thriller.Read the full review

Los Angeles Times | Kevin CrustAdd Critic to Favorites

An uninspired if perfectly watchable drama.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This is a lame psychological thriller with an obvious story trajectory. It's a wannabe film noir with no atmosphere whatsoever.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Allen, who stays behind the camera, brings too little wit and too much contrivance to material that quickly dissolves into warmed-over Dostoevski.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

In thematic terms, Cassandra's Dream could be looked at as a rebuttal to "Crimes and Misdemeanors."Read the full review

Slate | Dana StevensAdd Critic to Favorites

Cassandra's Dream is not unredeemably bad. MacGregor and Farrell hack away at their implausible dialogue with admirable intensity (though when Terry starts to descend into mental illness, Farrell touches his limits as an actor).Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

As writer, Allen offers lazy plotting, poor characterization, dull scenes and flat dialogue.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

Woody Allen’s latest excursion to the dark side of human nature, is good enough that you may wonder why he doesn’t just stop making comedies once and for all.Read the full review

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