Catch and Release Critic Reviews

Metascore®:

52 =
Based upon 12 Critic Reviews
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San Francisco Chronicle | Peter HartlaubAdd Critic to Favorites

Rough around the edges, but once you get used to the laconic pace, the plot grooves along nicely.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Take away the death and revelations that follow, and Catch And Release has the makings of a weekly half-hour network comedy--call it "Four's Company."Read the full review

Los Angeles Times | Kevin CrustAdd Critic to Favorites

An oddly appealing, if innocuous, movie of considerable charm.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Although I find the term "chick flick" odious, I imagine that Columbia Pictures regards Catch and Release as exactly that, although there are signs that Ms. Grant was reaching for something more layered and subtle than the usual fairy-tale formulaRead the full review

Boston Globe | Ty BurrAdd Critic to Favorites

There's a funkier and more interesting movie in Maureen, a character played by Juliette Lewis. Maureen is a single mom, a massage therapist, and a dimwit California follower of every new-age theory out there. She's a nasal, needy wreck, and Catch and Release is torn between adoring her and making ruthless fun of her.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Gray says she hates fishermen who catch and release: Getting jerked around hurts the jaw. See this movie and you'll know the feeling.Read the full review

Variety | Lael LoewensteinAdd Critic to Favorites

A so-so romantic dramedy.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Because so little of it works, the film is disposable.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

I just don't know any chick who will make sense of this flick -- it's that blitheringly out of touch with present psychosexual (never mind feminist) time and space.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Throughout, Garner retains a permanent grimace, as if persuasive acting can be achieved by contorting cheek muscles and pouting lips. It's not just depressing to watch; it's tiring. We want to tell her to relax -- for our own relief.Read the full review

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