Changeling (2008) Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
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As Changeling strains toward its mawkishly optimistic conclusion, the old-fashioned moviemaking that Eastwood settled into doesn't suit either him or his star. It feels like a corny joke.Read the full review
Jolie, Malkovich and Geoff Pierson, as a lawyer who takes Collins' case before the Police Board, are very good at what they do very well. The film's most riveting performance is by Jason Butler Harner as the murderous Gordon Northcott.Read the full review
The trouble with Changeling is that it plays less like reality than like a bare-bones, moralistic rehash of other, better movies, such as "L.A. Confidential" or "Frances."Read the full review
In other hands, these clashes of good and evil might have seemed ordinary, but Eastwood makes Changeling a hard story to shake off. To see this film is to understand both how fragile and how essential our hopes for decency and truth are in a world that must be made to care about either one.Read the full review
While Straczynski should be commended for remaining reasonably true to the historical record, this results in an open-ended conclusion that isn't entirely satisfying.Read the full review
Jolie is inspired casting. She plays the role like a gathering storm, moving from terror to a fierce resolve. And Eastwood, at the peak of his artful powers, tightens the screws of suspense without ever forgetting where the heart of his film lies.Read the full review
A disturbing film about grim subject matter, but the overall experience is more exhilarating than saddening. There's just something satisfying about seeing a movie so well made.Read the full review
All of Eastwood's rigorous craftsmanship seems wasted on a movie whose message never rises above the bumper-sticker admonition that "mean people suck."Read the full review
In Changeling Eastwood continues to probe uncomfortable subjects to depict the individual and even existential struggle to do what is right.Read the full review
The truth about the case of Christine Collins is so shocking and dramatic that embellishment must have seemed pointless, but in sticking so close to the historical record, Mr. Straczynski and Mr. Eastwood have produced a distended, awkward narrative whose strongest themes are lost in the murky pomp of period detail.Read the full review