Chicago 10 Critic Reviews

Metascore®:

70 =
Based upon 9 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

The result is Grade-A agitpop, a mixture of archival footage and cheeky, creative animated reconstruction that's funny and frightening in equal measure.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Chicago 10 is well worth seeing, if only because a good half of the film is devoted to extraordinary footage of the four days of rage that spawned the trial.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

Morgen's decision to avoid talking heads recounting events and find a way to dramatize them instead is consistent with his intention for the film. The director wants to bring recent history to life for people who weren't around to witness it, and in that he succeeds pretty admirably.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The movie's effectiveness is distorted by its hero-worship of the Chicago defendants.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

Brett Morgen’s semi-animated, semi-documentary attempt to make the ’60s cool for a new generation of kids, does the opposite. It is a narrow, glib dollop of canned history, an affirmation of received thinking rather than a challenge to it.Read the full review

The Onion (A.V. Club) | Tasha RobinsonAdd Critic to Favorites

Chicago 10 is a lot of fun, but it could stand to take its subjects a little more seriously, if only because they themselves are so frequently goofy that mocking them is complete overkill.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

An ambitious and occasionally illuminating hybrid documentary. But a cacophony of sights and sounds and a disjointed narrative dilute the message.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

A vibrantly crafted evocation of a convulsive moment in 20th century American history, Chicago 10 is far less interested in offering a fresh, probing look at what took place on the streets during the 1968 Democratic National Convention and the circus trial that followed than it is in celebrating the stars of the anti-war movement and rallying the current generation to follow their examples.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

Morgen plunges viewers completely into the anarchic, exhilarating, finally ambiguous world of 1968 America; his final stroke of genius is his choice of music, which includes a breathtaking use of Eminem's "Mosh."Read the full review

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