City Of Angels Critic Reviews

Metascore®:

64 =
Based upon 10 Critic Reviews
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Variety | Emanuel LevyAdd Critic to Favorites

The endlessly resourceful Nicolas Cage, as a celestial angel, and a terrifically engaging Meg Ryan, as a pragmatic surgeon, create such blissful chemistry that they elevate the drama to a poetic level seldom reached in a mainstream movie.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Though far from a seamless work, the film is gorgeously crafted, and Silberling obviously has a passion for angels. But then these days, who doesn't?Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

What I did appreciate is that City of Angels is one of the few angel movies that knows one essential fact about angels: They are not former people. ”Angels aren't human. We were never human,” observes Seth. This is quite true. Angels are purely spiritual beings.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

An odd hybrid but a successful one. It marries the lyricism and heavy atmosphere of a European art film with the soaring spirit of a Hollywood love story.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

I suspect City of Angels is going to remind many viewers of “Ghost,” but there's a big difference: this film is more true and less manipulative.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

A fascinating hybrid. A Hollywood fantasy at its most fantastic, the film is equal parts true innocence and shameless calculation. Deciding whether the glass is half empty or half full depends on which part you are willing to embrace.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

At least Dennis Franz, as a former angel, livens up his scenes, and Ryan is less intolerable than usual. Meanwhile, the always-interesting Cage does a good job pretending he's in a better movie. But he's not.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

This is the sort of movie in which everyone on screen is swathed in gauzy benevolence. You practically have time to say a prayer in the dead spaces between lines.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

The movie aspires toward a solemnity that Dana Stevens's prosaic psychobabbling screenplay cannot support. The movie is so busy being seriously romantic that it forgets the poetry, the whimsy, the airy mystery, the dreamy what-if of angelic contemplation.Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

Needless to say, in the age of inferior remakes, this would-be homage -- a sort of Wim Wenders Lite -- is a mawkish debasement of its source material.Read the full review

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