Clay Pigeons Critic Reviews
Metascore®:
Based upon 11 Critic ReviewsHighest Rated
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A film that delights by confounding expectations.Read the full review
It's got unpredictable plot twists and unexpected laughs coming out of dark corners. The sharp-edged film also looks terrific.Read the full review
The film, smoothly directed by David Dobkin, has a neat farcical structure but is too in love with its overly tight-lipped protagonist and deadpan pacing.Read the full review
Upon this fine mess shines Janeane Garofalo like a ray of sarcastic sunlight as FBI agent Shelby...With her gift for sweet bile, the sardonic Garofalo makes every second on screen a treasure to be cherished.Read the full review
Within Clay Pigeons is a smaller story that might have involved us more, but it's buried by overkill.Read the full review
The final half-hour contains enough contrivances and holes to challenge even the most generous movie-goer's suspension of disbelief.Read the full review
Visual flourishes (handsomely lensed by Eric Edwards on Utah locales standing in for Montana) are polished but derivative, with too many time-lapse sky views, reminiscent of Van Sant's "My Own Private Idaho."Read the full review
Perhaps this will seem fresh and interesting years down the road, when the self-aware-thriller genre has long played out, but for now, it's a tired horse that should have been put down in the pitch meeting.Read the full review
"You've got a sense of humor, I like that," Lester Long proclaims at one point. Well, we all like that, but would it be asking too much to have a little coherence to go along with it?Read the full review
The young Pigeon turks who no doubt think they've made a hip black comedy should be forced to see it in a theater of non-sycophants, where only an occasional exasperated exhale signifies the audience isn't dead yet. [25 Sept 1998]Read the full review