Clean (2006) Critic Reviews

Metascore®:

69 =
Based upon 10 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Emily is played by Maggie Cheung with such intense desperation that she won the best actress award at Cannes 2004.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

Clean is one of those movies that's slightly off the mark in ways that are hard to put a finger on, but it is shot so soulfully and features such beautiful performances that it's easy to forgive the occasional false note.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Albrecht brings out a side of Mr. Nolte rarely seen on the screen, and he gives a deep and touching portrayal of a haggard, beleaguered older man.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Clean has the same mixture of human tenderness and borderline-silly Eurochic that marks Wenders films like "Until the End of the World."Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

The film gets its distinction from the performances by Cheung and Nolte, whose scenes together are suffused with loss and unexpected mutual compassion.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Not your average divorce gift: Clean's writer-director Olivier Assayas created the role of recovering rock-world druggie Emily Wang for his ex-wife, art-house/action-pic royalty Maggie Cheung (In the Mood for Love).Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

It's the moral journey of Nolte's character that is the real story in Clean, but Assayas instead focuses on the manipulative habits of an addict, resulting in a mannered study of narcissism and self-pity.Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

Complex but cold tale.Read the full review

San Francisco Chronicle | John McMurtrieAdd Critic to Favorites

An unflinching look at the ravages of substance abuse, and it's also a sobering redemptive tale.Read the full review

Variety | David RooneyAdd Critic to Favorites

Dramatically pallid and unconvincing. Despite being written for her, the director's "Irma Vep" muse Maggie Cheung seems oddly miscast here and is ill-served by an emotionally underpowered screenplay that rarely gets beneath the surface of the character's problems.Read the full review

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