Cloverfield Critic Reviews

Metascore®:

64 =
Based upon 14 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

Cloverfield is content to be a creature feature; that's what makes it bearable and what keeps it from greatness. The genre, not the script, does the psychological heavy lifting.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Mercifully, at 84 minutes the movie is even shorter than its originally alleged 90-minute running time; how much visual shakiness can we take? And yet, all in all, it is an effective film, deploying its special effects well and never breaking the illusion that it is all happening as we see it.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Cloverfield, a surreptitiously subversive, stylistically clever little gem of an entertainment disguised, under its deadpan-neutral title, as a dumb Gen-YouTube monster movie, makes the convincingly chilling argument that the world will end -- or, at least, Manhattan will crumble -- with a bang and a whimper.Read the full review

Los Angeles Times | Kevin CrustAdd Critic to Favorites

Adept at wringing maximum suspense and might have reached the heights of the Korean monster film "The Host" but for the limitations of the camcorder ploy. While it injects the film with a run-and-gun urgency, the device grows tiresome and ultimately leaves the film shortchanged.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Cloverfield's gritty, in-your-face style is uncompromising. If you're looking for a nice, clean movie filmed with a steadycam, you'll have to look elsewhere.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Now that the fanboy hype has cleared, we can see Cloverfield for what it is: borrowed inspiration, trite screenwriting and amateurish acting all in the service of a ballsy idea -- that a horror movie could maybe, just maybe, have a soul.Read the full review

San Francisco Chronicle | Peter HartlaubAdd Critic to Favorites

Produced by "Lost" and "Alias" mastermind J.J. Abrams, Cloverfield has been one of the more interesting experiments in large-scale guerrilla filmmaking.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Despite a first reel entirely devoted to establishing characters, Cloverfield is basically a line-'em-up, pick-'em-off horror movie that's effective without being either viscerally frightening or emotionally moving. Watching it is like going through a car wash: You come out of it thoroughly Cloverfield-ized, but essentially unchanged.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

Think "Godzilla Unplugged" -- with chillingly effective results.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

Like too many big-studio productions, Cloverfield works as a showcase for impressively realistic-looking special effects, a realism that fails to extend to the scurrying humans whose fates are meant to invoke pity and fear but instead inspire yawns and contempt. Rarely have I rooted for a monster with such enthusiasm.Read the full review

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