Coffee and Cigarettes (1986) Critic Reviews

Metascore®:

66 =
Based upon 14 Critic Reviews
See all Coffee and Cigarettes (1986) reviews at
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Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Just when you're certain that Jarmusch is treading water with his borderline-tedious cleverness, something happens: Coffee and Cigarettes turns into a movie FULL of talk -- rich, supple, hilarious, masterfully orchestrated talk.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

As the film goes along, themes and even lines of dialogue resurface, and Jarmusch's comic sensibilities grow more assured. Read the full review

Los Angeles Times | Manohla DargisAdd Critic to Favorites

Known for an elegant visual style, Jarmusch has a great gift for playing actors against one another, for finding complementary eccentrics (Murray and RZA) and uncovering rare gems (Bill Rice and Taylor Mead in "Champagne"). Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

Jarmusch's use of yin/yang, dark/light and good/evil symbolism makes glorious if goofy sense. Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

In Jarmusch's capable hands, the mundane has never been so delightful. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Sometimes movies tire us by trying too relentlessly to pound us with their brilliance and energy. Here is a movie pitched at about the energy level of a coffee break. That the people are oddly assorted and sometimes very strange is not so very unusual, considering some of the conversations you overhear in Starbucks. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Jarmusch makes it a feast that plays like a haunting concept album.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

At the heart of most of these encounters is talk about the nature of relationships -- cousins, twins, and peers. Mostly, though, Jarmusch displays an unexpected interest in the ironies and banalities of fame. Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

The implication that beauty and meaning can be found in odd places at unlikely, idle moments resonates through this lovely film. Read the full review

Variety | Deborah YoungAdd Critic to Favorites

Holding the film together are simple but strong B&W visuals of offbeat types sitting around a table smoking and drinking java while they talk. Read the full review

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