Constantine (2005) Critic Reviews

Metascore®:

48 =
Based upon 16 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

One thing's clear: R.J. Reynolds won't be showing Constantine at the company picnic any time soon.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Strange, that movies about Satan always require Catholics. You never see your Presbyterians or Episcopalians hurling down demons.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The movie is ornate, arbitrary, and fetishistic, too, with the added challenge of being hell to follow for those without access to crib notes. Intellectually, I can admire the emphasis on visual style over plot clarity.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

Keanu Reeves has no peer when it comes to playing these sort of messianic roles -- he infuses them with a Zen blankness and serenity that somehow gets him through even the unlikeliest scenes with a quiet, unassuming dignity.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Constantine will appeal most strongly to those with a penchant for vivid cinematic comic book adaptations.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The choice for the uninitiated is simple: Take the ride for its fitful thrills and dark elements, or just say the hell with it.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The movie isn't hellish, because there's always hope of leaving it. It's more like purgatory, two whole hours of it.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Borderline incoherent, theologically unsatisfying, and short to the point of dwarfism on suspense.Read the full review

The Hollywood Reporter | Michael RechtshaffenAdd Critic to Favorites

An engrossing mix of atmospheric gothic horror and smart sci-fi that's cemented by intriguing mythology, terrific visual effects, a dry sense of humor and an ideally cast Keanu Reeves.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Tilda Swinton is the Angel Gabriel, adding a touch of high-class celestial cross-dressing to this overblown, overlong attempt - which falls just short of success - to make a movie dumber than "Van Helsing."Read the full review

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