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This is a ride, a video game, a soundtrack -- unapologetic and clearly labeled as such. It has no middle speed.Full Review
By the time Li enters the obligatory ''ring of fire'' to face his final opponent, you realize just how forthrightly rote and businesslike ''Cradle'' is. And you don't mind. Because business, it turns out, is good.Full Review
Between the off-center comic riffs of Tom Arnold and the wildly improbable hair's-breadth escapes, the whole business dissolves into amiable action farce.Full Review
Between the off-center comic riffs of Tom Arnold and the wildly improbable hair's-breadth escapes, the whole business dissolves into amiable action farce. Full Review
The film itself is on autopilot and overdrive at the same time: It does nothing original, but does it very rapidly.Full Review
