Cronicas Critic Reviews

Metascore®:

65 =
Based upon 11 Critic Reviews
See all Cronicas reviews at
Sorted by:
Boston Globe | Janice PageAdd Critic to Favorites

For a movie about serial killings and media sensationalism, Cronicas sure is wimpy.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The kind of movie that grabs you while you're watching, even if later you wish it had grabbed a little harder.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The moral murk of Crónicas would be more effective if the story weren't so contrived, yet the movie is worth seeing for Leguizamo's sinewy urgency, Alcázar's desperate cleverness as the killer, and the squalid, frantic atmosphere of Latin American hunger.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

The result is reasonably absorbing and a provocative if familiar commentary on media manipulation, with Leguizamo terrific in a serious, intense performance.Read the full review

San Francisco Chronicle | G. Allen JohnsonAdd Critic to Favorites

Cronicas has a cracking good plot, a central moral issue and John Leguizamo speaking Spanish. What more does a film need?Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

A crackling good suspense thriller.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

A film divided against itself. The more the cat-and-mouse game between prisoner and reporter points it in the direction of "The Silence of the Lambs," the closer it inches toward the sort of exploitation it condemns; for me, that's too close for Crónicas to be taken without a big grain of salt.Read the full review

The Onion (A.V. Club) | Tasha RobinsonAdd Critic to Favorites

It's daring and it's different.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

A raw and powerful suspense thriller.Read the full review

Variety | David RooneyAdd Critic to Favorites

Starts out bracingly but gradually loses focus. Ecuadorian writer-director Sebastian Cordero's screenplay trades in underdeveloped conflicts and blank characters, hinting far too early at the killer's probable identity.Read the full review

Track Your Favorite Critics | Start Now