Crossing Over (2009) Critic Reviews

Metascore®:

41 =
Based upon 15 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

If Crossing Over is less self-congratulatory than "Crash" about confronting its designated problem, it's just as inept at dramatizing the complex ways that problem unites and divides us. Here every cause is something you can wear around your neck.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Some of these stories are fascinating and some are heartbreaking, but together they seem too contrived.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Crossing Over is so eager to go for the emotional jugular that it never quite forges an enlightening point of view.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Forced, heavy-handed and overdone, it's a pretend serious film that offers crass manipulation in the place where honesty is supposed to be.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Enough things in Crossing Over work to keep the film from becoming a bore, but this is a definite step down from Kramer's past efforts, "The Cooler" and "Running Scared."Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Kramer takes on a hot, unwieldy topic in Crossing Over -- the dream that immigrants have of U.S. citizenship and the nightmare of achieving it, especially with shortcuts. I'm sure Kramer will be picked to pieces for trying something while Hollywood crap climbs the box office ladder. There are all kinds of nightmares.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

A mess.Read the full review

Slate | Dana StevensAdd Critic to Favorites

All of its plot threads are equally dreadworthy.Read the full review

The Hollywood Reporter | Stephen FarberAdd Critic to Favorites

The film plays like a garish melodrama that reproduces the most ham-fisted, polemical aspects of "Crash."Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

If Mr. Kramer's outrage felt honest, his film would be easier to respect. But time and again, he undermines his own righteousness by pumping up the violence and stripping down his talent.Read the full review

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