Dances With Wolves. Critic Reviews

Metascore®:

82 =
Based upon 10 Critic Reviews
See all Dances With Wolves. reviews at
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Washington Post | Hal HinsonAdd Critic to Favorites

A gigantic achievement, an endowment of riches.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

This movie moves so confidently and looks so good it seems incredible that it's a directorial debut.Read the full review

Los Angeles Times | Sheila BensonAdd Critic to Favorites

A clear-eyed vision. Authentic as an Edward Curtis photograph, lyrical as a George Catlin oil or a Karl Bodmer landscape, this is a film with a pure ring to it. It's impossible to call it anything but epic [9 Nov 1990, Calendar, p.F-1]Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

While no one is going to place Costner alongside Laurence Olivier in the acting department, he brings a likability to Dunbar that many better performers might not have been able to match.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Costner (with Michael Blake's screenplay) creates a vision so childlike, so willfully romantic, it's hard to put up a fight.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Costner's directing style is fresh and assured. A sense of surprise and humor accompany Dunbar's adventures at every turn, twisting the narrative gently this way and that and making the journey a real pleasure.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Ultimately, this film is more interesting than rousing; missing is a John Ford-ian wealth of idiosyncratic characters. [9 Nov 1990, Life, 4D]Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The picture moves slowly but never sluggishly, and it never grinds down. The measured pace shows real assurance on the part of Costner. [9 Nov 1990, Daily Datebook, p.E1]Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The movie is so busy turning the Sioux characters into photogenic saints that it never quite allows them the complications of human beings.Read the full review

The New York Times | Vincent CanbyAdd Critic to Favorites

Mr. Blake's screenplay and Mr. Costner's direction of it are, with the exception of three memorable sequences, commonplace. The film is painstakingly composed of small details of frontier and tribal life that should be riveting. Most of the time they aren't.Read the full review

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