De-Lovely Critic Reviews

Metascore®:

58 =
Based upon 15 Critic Reviews
See all De-Lovely reviews at
Sorted by:
Chicago Sun-Times | Roger EbertAdd Critic to Favorites

A musical and a biography, and brings to both of those genres a worldly sophistication that is rare in the movies.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

De-Lovely is something dishy and rare: a biopic about a happy, and even enchanted, man. Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Turns out to be thoughtful, creative, and generally worthy of its subject, with sins that are more of ambition and miscalculation than of execution.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

At its best, De-Lovely evokes a time, a place and a sound with stylish wit and sophistication. Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

As a bio-pic, De-Lovely is pretty standard, run-of-the-mill stuff (albeit with an interesting framing device). However, as a "best hits" collection of Cole Porter's music, it is unparalleled. Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Benefits greatly from Kevin Kline's outstanding performance as the ultra-sophisticated songwriter whose resilient marriage anchored a complicated double life.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

A sprightly musical revue built around Cole Porter songs and a few biographical tidbits culled from his extraordinary life. Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

De-Lovely has its moments of delight. Its defects lie mostly in failing to fully delineate what made musical icon Cole Porter tick. Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

A mishmash of a musical. The movie never gels -- despite Kline's nuanced performance, the stars' exquisite period clothes, designed by Armani, and, of course, Porter's great songs. Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

If Porter's songs are so timeless, why does the movie sound like something that might have played on VH1 five years ago? Read the full review

Track Your Favorite Critics | Start Now